Pitch films / Editorial / Title design
Pitch Sizzles
Make the idea feel real before the show exists.
Editing • Motion Design • Typography • Sound Design
- Work
- Dead Ink / Difficult / Family TV Dinner / Steel Wool / Festifi / Shit Got Real
- Role
- Editing / motion design / typography / sound design
- Format
- Pitch sizzles / series opens / identity systems
A pitch sizzle has to do more than explain a show. It has to make the tone, pace and promise feel immediate. I built these pieces through edit, typography, motion and sound—giving each idea a world it could step into.
Identity / Editorial
Dead Ink.
Black, white and red gave the pitch a tactile identity. The edit lets the mark, the characters and the atmosphere arrive as one thought.
Editorial / Rhythm / Type
Difficult.
I cut the pitch and built its kinetic title system—using rhythm, sound and type to give the idea pressure, pace and a point of view before the premise had to explain itself.
Editorial / Music / Type
Family TV Dinner.
I cut the sizzle and built its escalating sitcom-theme sound-and-music mashup.
Opening design / Motion
Shit Got Real.
I created the opening: a direct, high-energy front door that establishes the show and gets out of the way.
Identity Systems
Steel Wool. Festifi.
Two different pitch worlds, each given a compact visual language that could carry beyond a single title card.
The outcome